Current Curriculum Vitae as PDF
Visit Visualizing Broadway to see my Digital Humanities research.
- “Digital Canons.” With Miguel Escobar Varela. In Troubling Traditions: Canonicity, Theatre, and Performance in the US, eds. Lindsey Mantoan, Matthew Moore, and Angela Farr Schiller.
- Five, Six, Seven, Eight: Broadway by the Numbers
A quantitative history of Broadway in the twentieth century. Chapters include a longitudinal study of cast sizes, comparative readings of contemporaneous plays and musicals, and sociological analyses of Broadway’s artistic network.
- “Digital Humanities Techniques.” In Mixing Methods in Performance Research, eds. Tracy C. Davis and Paul Rae.
- “On Broadway as Real Estate.” In a Chinese-language reader on creative industries, ed. Li-Min Lin.
Articles and Book Chapters
- “Realism.” In Ibsen in Context, eds. Narve Fulsås and Tore Rem. Cambridge: Cambridge University Press, 2021.
- “Defining Repertory.” A Response to William Weber and François Velde. In Databases, Revenues, & Repertory: The French Stage Online, 1680–1793, eds. Sylvaine Guyot and Jeffrey S. Ravel. Cambridge: MIT Press, 2020.
- “On Bow and Exit Music.” Journal of American Drama and Theater 30, no. 1 (Fall 2017).
- “Knowledge Transmission: Media and Memory.” In A Cultural History of Theatre, Vol. 5. General Editors: Christopher Balme and Tracy C. Davis. Volume Editor: Peter W. Marx. London: Bloomsbury Press, 2017.
- “Average Broadway.” Theatre Journal 61, no. 4 (December 2016): 529–53.
- “The Salve of Duty: Global Theater at American Borders, 1875–1900.” Journal of Global Theatre History 1, no. 1 (2016): 20–33.
- “New Directions in Law and Narrative.” Co-Authored with Robin Wharton. Law, Culture and the Humanities 15, no. 2 (2019): 294--304. (Published online June 5, 2016.)
- “Polyvocally Perverse; or, the Disintegrating Pleasures of Singing Along.” Studies in Musical Theatre 6, no. 1 (2012): 89–98.
- "Performative Performances: A History and Theory of the ‘Copyright Performance.’ Theatre Journal 64, no. 2 (2012): 161–77.
- “On Piano Performance—Technology and Technique.” Contemporary Theatre Review 21, no. 3 (2011): 261–75.
- "‘Underneath the Ground’: Jud and the Community in Oklahoma!" Studies in Musical Theatre 2, no. 2 (2008): 163–74.