Books

Click here for articles
Home

Some Thoughts: I love Halloween. I always have. I wrote Halloween: An American Holiday, An American History because I couldn't find the whole Halloween story in any other book available at the time (1986). The more I learned, the more fascinating the holiday got for me. A Halloween Reader. Poems, Stories and Plays from Halloweens Past (2004) got me to think about Halloween as it was imagined over the past four centuries, and gave me new respect for emotional and poetic depth inspired by this "night of all nights of the year." (Poe) A Halloween How-To was just plain fun from begining to end. I spent a year and a half living Halloween day in and day out. In the fall, I traveled to as many Halloween events as I could pack in. During the rest of the time I corresponded with and met with people in the business: home haunters, costumers, scholars, occultists, pro-haunters, make-up artists, theater artisans, pumpkin-growers, vampire-lovers, electricians and fake tombstone artists to name a few. My freezer was filled with pumpkin from December through June so I could test recipes. I carved foam gargoyles in January and made dry ice experiments in the basement in June. The ideas in the book are aimed mostly at adults who I hope will have as much fun with the holiday as I do.


A Halloween How To: Costumes, Parties, Decorations, & Destinations. Lesley Bannatyne; Pelican Publishing Co., 2001

Order from amazon.com
Order from Barnesandnoble.com
Order direct from Pelican

From Booklist

From a sociological history of Halloween and its contemporary traditions to a guide to the ideal sound effects to make your party creepy (think Wagner's Ride of the Valkyries), this how-to offers everything anyone would ever want to know about All Hallows Eve. Bannatyne takes us through decorating houses, yards, and ourselves; planning a killer Halloween party; embarking on must-see Halloween pilgrimages (don't miss the Punkin Chuckin' Contest in Morton, Illinois); and preparing Halloween cuisine ("beyond blood punch"). Bannatyne's anecdotes and lifelong obsession with Halloween give the book a readable quality in spite of the lengthy lists and detailed how-to information. This will be a useful reference for both the growing population of adults who revel in Halloween and folks who seek to make the trick-or-treat experience a little more harrowing for unsuspecting children in costume. If nothing else, those who follow this book carefully are sure to win every Halloween contest they enter, whether dressed as an out-of-work superhero or a giant post-it note.
John Green
Copyright © American Library Association. All rights reserved

back to top

dfdfd

sfsfsf

DEDICATION
Let us recognize that we are not the ultimate triumph but rather we are beads on a string. Let us behave with decency to the beads that were strung before us, and hope modestly that the beads that come after us will not hold us of no account merely because we are dead.
-Robertson Davies

A Halloween How-To is dedicated to the beautiful beads on either side of me: my late mother Janet Young Richardson, my father David R. Bannatyne, and my daughter, Magdalena Bannatyne Bay.


[from the Introduction to A Halloween How To]

Halloween, 1961

I feel exquisitely beautiful. I'm wearing black tights and a leotard, two black-felt ears, and a four-foot-long tail made from a stocking stuffed with newspaper. I have on mittens and my mom's high heels. At eight years old, I'm radiant as I walk with my friends in the smoky dusk of late October.

From out of nowhere Dennis Polaski appears, dressed as Zorro. He grabs my head by my cat ears and kisses me. Right on the mouth. Then he's gone, giggling, into the shrubbery that edges the split-level homes in suburban Connecticut.

It is breathtaking.

I teeter on the edge of Mrs. Kinney's porch steps, reeling with sudden adoration for a nine-year-old wearing a painted mustache and black plastic cape tied up with a shoelace. Mrs. Kinney answers the door.

"Yes?

c Rockwell, 1940s

"Trick or treat!" we holler.

She holds out a bowl of Turkish Taffy. My friends and I-a tangle of pink netting, blue eyeshadow and pipe cleaners-wiggle through the door. The bars of taffy are an offering, a sacrifice made to gods of Halloween to shield homeowners from the mischief of spirits for the next twelve months.

We accept the bribe.

Moments later I'm tearing down the street towards home-hell on heels-clutching my brown paper bag and leaking bits of ripped newspaper through the holes in my tail.

Halloween is the best holiday, ever.

That's how I remember it anyway. First frost in the air, streetlights ringed with haze, the exquisite freedom of disguise. I didn't know then how many hundreds of generations had done these things, felt these things, before mine.

Halloween's probably older than the solstice holiday celebrations, and one of the ancient's world's most hallowed. It began in Celtic lands as a festival known as Samhain (sow-en), or summer's end, held on November 1. The first

day of winter was the start of the seasonal cycle, making Samhain a kind of ancient Celtic New Year's Eve.

Samhain, according to ancient Irish sagas, was the time that creatures from the Otherworld made themselves visible. Some historians conjecture that Druids used divination to communicate with the spirit world at this time. They read omens in the sky, water, and fire to decipher the wisdom of a proposed migration, the right time to make magic, the cure for sickness. No one will ever know for certain the details of the Druids' rituals. But we do know that Halloween's association with ghosts, fire and fortunetelling may have beuan with these pagan tribes somewhere between 2000 and 3000 years ago.

When Christianity swept through the Roman Empire, Celtic and Roman celebrations were recast in a Christian light and a series of church holidays eventually took the place of Samhain: All Hallows or All Saints' Day (November 1), and All Souls' Day (November 2). All Hallow's Eve became All Hallowe'en, then simply Halloween.

Rents were often due on Samhain/All Hallow's, and the young Irish men who worked abroad for the summer (in Scotland or England) came back to their homes that day. Families reunited, and as the dead were an intrinsic part of any Irish family, they were part of the homecoming celebration. The people of the British Isles kept their Halloween traditions alive through telling ghost stories and playing games. They used apples or nuts to divine the future rather than animals or omens in the sky, and asked the spirits about matters of love, rather than questions of survival.


Halloween parade in Irvington, NY

The remembrances of All Saints' and All Souls' Days kept All Hallows alive throughout the Catholic countries in Europe, but the holidays met their demise in England and Scotland during the Reformation, when all things Catholic were jettisoned by Protestants. This meant that Hallowe'en--the eve of All Hallow's, or All Saint's Day--was only a faint memory among the English Puritans who settled in the New World.

The immigrations of Scots and Irish in the 18th and 19th centuries likely brought their Celtic celebration of Halloween to the states. Other immigrant groups added their own cultural layers: the Germans, an especially vivid witchcraft lore; Haitian and African blacks, voodoo beliefs about black cats, fire and witchcraft; and the English and Dutch, a love for masquerade.

By the 19th century, Halloween in America was as diverse as the young nation itself. In rural New Hampshire, there were barn dances; in New York City, parades and firecrackers. In the mountains of Virginia, Halloween was when you could hear the future whispered in the wind; in Louisiana, it was time to cook a midnight "dumb supper" and watch for a ghost to join the table. Upper class Victorians

celebrated the holiday as a society party, more concerned with romance than death. When this all gave way to 20th century realism, Halloween was handed over to children. Its passion and romance metamorphosed into stolen kisses on hayrides recreated for children living in cities, and all that was left of Druidic divining was the fortunetelling booth at the school fair.

By the 1950s, Halloween was synonymous with trick or treating, and the next two decades were its American salad days: nearly every child in the nation celebrated Halloween both at school and in their neighborhood. Soon, adults were back on the scene, and by the 1990s Halloween had ballooned to the second largest retail holiday, right after Christmas. After more than two millennia, the holiday still captivates us.

A Halloween How-To sets out to get a snapshot of Halloween today, or rather, several, as the holiday has as many faces as a pumpkin patch in October. It's where you'll find answers to a myriad of Halloween questions: what is the difference between a goblin and a ghoul? where can you find a decent set of fangs? what's Monster Mud? how do you stage a seance? what's the recipe for fake blood? pumpkin soup? where can you see Elvira? Freddy Kruger's glove? a life-size replica of Frankenstein in his original movie costume?

In these pages you'll find hundreds of Halloween anecdotes, formulas, recipes, how-to's, history, and ideas. Ideas for costumes, parties, indoor and outdoor decorations, movies to rent, cd's to play, good food to cook, unique Halloween destinations and fun things to do. Besides how-to's and ideas for celebrating, A Halloween How-To also details what Halloween customs mean, where they come from, and what purpose they serve today, since how-to often leads to but-why?

 Halloween 2001

This Halloween I watched a bulky satyr-like figure walking-no, strolling-up 6th Avenue in the Greenwich Village Halloween parade. Nude. He'd painted his body silver and wore the giant head of a goat. The eyeholes were shining with red light as if there were fire inside his skull. The crowd cheered for him-a pagan icon recast in the glass and concrete of a modern city. The woman in front of me strained against the barriers to watch the naked goat god as he slowly faded into the night. Come next morning, for all we know, he could be back selling coffee at Starbucks.

An hour later I stood on a subway platform in Manhattan. A man next to me was wearing a set of wings and a sequined tiara that rose up twice the height of his head. On another day he'd seem like a perverse Tinkerbell, but it was Halloween. On Halloween he was beautiful.

That 's a terrific costume, I said.

He nodded demurely. "I love Halloween," he admitted. "Halloween is my last big fling before winter. It's like opening up he fireplugs in the summer."

Couldn't have said it better myself.




back to top

There are so many good Halloween history resources now that it's hard to capture all of them here. Instead,

 

Halloween. An American Holiday, An American History
Lesley Bannatyne; Facts on File, 1990 (hardcover, out of print and hard to find!); Pelican Publishing Co., 1999 (paperback)

Order from Amazon.com
Order from Barnesandnoble.com
Order direct from Pelican

Halloween, the fastest growing holiday in the country, offers a unique window on American culture. This volume traces the history of Halloween celebrations from their earliest roots in the British Isles as well as explores the vital influences of the ethnic, religious, and occult heriages of the diverse peoples who settled in America.

Halloween, related to a seasonal celebration that likely began more than 1000 years ago in the British Isles, has drawn from the traditions of various American ethnic groups to evolve into its 20th century incarnation. Young readers and adults alike will enjoy learning the odd facts about pumpkins, witches, and ghosts. Among the latter, Humphrey Bogart's spirit is said to haunt New York city every October 31, warning, "Don't stick around California too long."

While some may question Bogie's advice, none will argue that Halloween has a truly fascinating history.


Interested in Halloween History?

There are so many good Halloween history resources now that it's hard to capture all of them here. Instead, I'll recommend a few: I especially like the Halloween chapter in Ronald Hutton's Stations of the Sun; Isaac Bonewits' web article, "The Real History of Halloween," and Jack Santino's Halloween and Other Festivals of Death and Life.
--LB

back to top

kjkjkj

jkjkjkj

A Halloween Reader. Poems, Stories and Plays from Halloweens Past.
Lesley Bannatyne; Pelican Publishing Co., 2004

Order from Amazon.com

Order from Barnesandnoble.com
Order direct from Pelican

The literature of Halloween began in a time when poets, playwrights, and storytellers told tales inspired by fear of fate, the unknown, and the inexplicable--stories about dead souls and otherworldly creaters who drifted through the dark only on Halloween, when the spirit world seemed close enough to touch. A Halloween Reader spans British Irish, Scottish, French, Canadian, and American literature from the 16th to the 20th centuries and includes well-known writers as well as hard-to-find, little known works such as a rare Halloween mention in a colonial American play and a French journalist's retelling of a night spent amongst the bones of a Breton charnel house.

back to top

 

   
Witches' Night Before Halloween
Lesley Bannatyne, Pelican Publishing Co., 2007
 

Order from Amazon.com
Order direct from Pelican

'Twas the night before Halloween and all through the cottages the witches were stirring their brews and their potages
Their cupboards were bursting with hoptoads and newts, and they'd shined up their pointy-toed, fancy dress boots.
The witchlings were snoring all snug in their beds
With visions of moist, creeping things in their heads.
"Nice night," whispered Mad Maud to Potbelly Pat, as she snuffed out the torches and took in the cat.... In this cleverly spooky parody of Clement C. Moore’s famous Christmas poem, the witches are up to their elbows in cobwebs and slime, making sure their witchlings are well prepared for their first Halloween. Featuring characters like Mad-Maud and Snaggle-Tooth-Ruth and plenty of ghouls, zombies, monsters, skeletons, and moldy cellars to satisfy all Halloween lovers, this good-natured book about these wickedly fun witches will amuse both kids and their parents.

Illustrator Adrian Tans has worked as a carpenter, ship’s cook, stay-at-home dad, five-time Vermont state snow-sculpting champ, professional coffee pourer, and photographer’s assistant. He is both a painter and illustrator.



back to top